Writing about Proto-type

 

THE GOOD, THE GOD AND THE GUILLOTINE (2013)

— Journal Article (paywall): Through collaboration to sharawadji: immediacy, mediation and the voice

By Martin Blain, Jane Turner and Andrew Westerside | In Theatre & Performance Design, Volume 2, Issue 3-

— Journal Article (paywall): The Art of the Loop: Analogy, Aurality, History, Performance

By Kathleen M. Gough | In TDR/The Drama Review, Spring 2016, Vol. 60, No. 1

 

FORTNIGHT (2011-15)

— Article (free PDF): Immerse Yourself

By Hannah Sullivan| In Total Theatre Magazine,  Autumn 2011, Volume 23, Issue 03

— Book Chapter (free PDF): The Pervasive Media Cookbook

By Jon Dovey and Constance Fleuriot

— Book Chapter: Handbook of Intermediality: Literature – Image – Sound – Music

Ed. Gabriele Rippl

— Book Chapter: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre

By Claudia Georgi

 

VIRTUOSO (2009-10)

— Book Chapter: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre

By Claudia Georgi

— Book Chapter (free PDF): Mapping Intermediality in Performance

Ed. Sarah Bay-Cheng

— Journal Article (paywall): Headspace: Architectural space in the brain

By P.S. Petralia | In Contemporary Theatre Review, Volume 20, Issue 1

 

WHISPER (2007-8)

— Journal Article (free PDF): Diegetic Theatre as a ‘Place’ for the Theatricalised Spectator

By Jane Turner | In Platform, Vol. 6, No. 1, Spectatorship and Participation, Winter 2011

— Journal Article (paywall): Headspace: Architectural space in the brain

By P.S. Petralia | In Contemporary Theatre Review, Volume 20, Issue 1

 

ABOUT SILENCE (2003- )

— Journal Article (paywall): Text Exposed: Displayed texts as players onstage in contemporary theatre

By Karen Jurs-Mumby | In Studies in Theatre and Performance, Volume 30, 2010 – Issue 1