The Audit (or Iceland, a modern myth) (2018- )
Part of The Truth to Power Project
— Foreword:
Staging Money, Performing Politics: A Critical Foreword to The Audit (or Iceland, a modern myth)
By: Andrew Westerside
In: Oberon Modern Plays: The Audit (or Iceland, a modern myth)
Oberon Books.
A Machine they’re Secretly Building (2016- )
Part of The Truth to Power Project
By: Aylwyn Walsh
In: Oberon Modern Plays: A Machine they’re Secretly Building
Oberon Books.
— Guest Blog:
Can theatre help us understand the culture of surveillance and fear?
By: Andrew Westerside
In: Southbank Centre – Culture Blog
Southbank Centre.
— Blog Post:
Witnessing Machines Built in Secret
By: Richard Veryard
From: Exploring the Purpose of Things
POSIWID Blog.
— Blog Post:
Theatre: A Machine they’re Secretly Building
By: Joshua Hughes
From: THE LAW OF KILLER ROBOTS
Lancaster University.
THE GOOD, THE GOD AND THE GUILLOTINE (2013)
— Journal Article (paywall):
Through collaboration to sharawadji: immediacy, mediation and the voice
By: Martin Blain, Jane Turner and Andrew Westerside
In: Theatre & Performance Design, Vol. 2, Issue 3.
Routledge.
— Journal Article (paywall):
The Art of the Loop: Analogy, Aurality, History, Performance
By: Kathleen M. Gough
In: TDR/The Drama Review, Vol. 60, No. 1.
The MIT Press.
— Book Chapter (free PDF):
The Good, The God and the Guillotine: Insider/Outsider perspectives
By: Martin Blain and Jane Turner
In: Artistic Research in Performance through Collaboration.
Palgrave.
FORTNIGHT (2011-15)
— Article (free PDF):
Immerse Yourself
By: Hannah Sullivan
In: Total Theatre Magazine, Vol. 23, Issue 03.
Total Theatre.
— Book Chapter (free PDF):
Recipe 8: Fortnight
By: Jon Dovey and Constance Fleuriot
In: The Pervasive Media Cookbook
DCRC Press.
— Book Chapter:
Contemporary British Theatre and Intermediality
By: Claudia Georgi
In: Handbook of Intermediality : Literature – Image – Sound – Music
Ed: Gabriele Rippl
Walter De Gruyter Incorporated.
— Book Chapter:
Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
By: Claudia Georgi
In: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
Walter De Gruyter Incorporated.
— Book Chapter (forthcoming):
Theatre, Appification and VR Apps: Disability Simulations as an Intervention in ‘Affective Realism’
By: Dan Jarvis
In: Theatres of Contagion – Transmitting Early Modern to Contemporary Performance
Methuen Drama.
— PhD Thesis:
MEDIATED MESSAGES: constructions of intimate communication through the use of digital technologies, and the extent to which such encounters can be conceptualised as one-to-one performance
By: Jason Crouch
Submitted to: Department of Contemporary Arts
Manchester Metropolitan University.
— Conference Paper (draft):
Reach Out and Touch Someone: Technology and the Promise of Intimacy
By: Peter S. Petralia
From: Dr. Petralia’s World of Wonder
VIRTUOSO (2009-10)
— Book Chapters:
Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
By: Claudia Georgi
In: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
Walter De Gruyter Incorporated.
— Journal Article (paywall):
Headspace: Architectural space in the brain
By: Peter S. Petralia
In: Contemporary Theatre Review, Vol. 20, Issue 1.
Routledge.
— Book Chapter (free PDF):
Instance: The Fragmented Stage of Virtuoso (working title)
By: Peter S. Petralia
In: Mapping Intermediality in Performance
Amsterdam University Press.
WHISPER (2007-8)
— Journal Article (free PDF):
Diegetic Theatre as a ‘Place’ for the Theatricalised Spectator
By: Jane Turner
In Platform: Journal of Theatre and Performing Arts – Spectatorship and Participation, Vol. 6, No. 1.
Royal Holloway.
— Journal Article (paywall):
Headspace: Architectural space in the brain
By: Peter S. Petralia
In: Contemporary Theatre Review, Vol. 20, Issue 1.
Routledge.
— Book Chapters:
Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
By: Claudia Georgi
In: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
Walter De Gruyter Incorporated.
ABOUT SILENCE (2003-12)
— Journal Article (paywall):
Text Exposed: Displayed texts as players onstage in contemporary theatre
By: Karen Jurs-Mumby
In: Studies in Theatre and Performance, Vol.30, Issue 1.
Routledge.