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The Audit (or Iceland, a modern myth)
(2018- )

Part of The Truth to Power Project

— Foreword:
Staging Money, Performing Politics: A Critical Foreword to The Audit (or Iceland, a modern myth)

By: Andrew Westerside
In: Oberon Modern Plays: The Audit (or Iceland, a modern myth)
Oberon Books.

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A Machine they’re Secretly Building
(2016- )

Part of The Truth to Power Project

— Foreword:
Staging the Radical Potential of the Imagination: A Critical Introduction to A Machine They’re Secretly Building

By: Aylwyn Walsh
In: Oberon Modern Plays: A Machine they’re Secretly Building
Oberon Books.

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— Guest Blog:
Can theatre help us understand the culture of surveillance and fear?

By: Andrew Westerside
In: Southbank Centre – Culture Blog
Southbank Centre.

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— Blog Post:
Witnessing Machines Built in Secret

By: Richard Veryard
From: Exploring the Purpose of Things
POSIWID Blog.

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— Blog Post:
Theatre: A Machine they’re Secretly Building

By: Joshua Hughes
From: THE LAW OF KILLER ROBOTS
Lancaster University.

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THE GOOD, THE GOD AND THE GUILLOTINE
(2013)

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— Journal Article (paywall):
The Art of the Loop: Analogy, Aurality, History, Performance

By: Kathleen M. Gough
In: TDR/The Drama Review, Vol. 60, No. 1.
The MIT Press.

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— Book Chapter (free PDF):
The Good, The God and the Guillotine: Insider/Outsider perspectives

By: Martin Blain and Jane Turner
In: Artistic Research in Performance through Collaboration.
Palgrave.

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FORTNIGHT
(2011-15)

— Article (free PDF):
Immerse Yourself

By: Hannah Sullivan
In: Total Theatre Magazine, Vol. 23, Issue 03.
Total Theatre.

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— Book Chapter (free PDF):
Recipe 8: Fortnight

By: Jon Dovey and Constance Fleuriot
In: The Pervasive Media Cookbook
DCRC Press.

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— Book Chapter:
Contemporary British Theatre and Intermediality

By: Claudia Georgi
In: Handbook of Intermediality : Literature – Image – Sound – Music
Ed: Gabriele Rippl
Walter De Gruyter Incorporated.

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— Book Chapter:
Liveness on Stage: Intermedial Challenges in Contemporary British Theatre

By: Claudia Georgi
In: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
Walter De Gruyter Incorporated.

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— Book Chapter (forthcoming):
Theatre, Appification and VR Apps: Disability Simulations as an Intervention in ‘Affective Realism’

By: Dan Jarvis
In: Theatres of Contagion – Transmitting Early Modern to Contemporary Performance
Methuen Drama.

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— PhD Thesis:
MEDIATED MESSAGES: constructions of intimate communication through the use of digital technologies, and the extent to which such encounters can be conceptualised as one-to-one performance

By: Jason Crouch
Submitted to: Department of Contemporary Arts
Manchester Metropolitan University.

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— Conference Paper (draft):
Reach Out and Touch Someone: Technology and the Promise of Intimacy

By: Peter S. Petralia
From: Dr. Petralia’s World of Wonder

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VIRTUOSO
(2009-10)

— Book Chapters:
Liveness on Stage: Intermedial Challenges in Contemporary British Theatre

By: Claudia Georgi
In: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
Walter De Gruyter Incorporated.

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— Journal Article (paywall):
Headspace: Architectural space in the brain

By: Peter S. Petralia
In: Contemporary Theatre Review, Vol. 20, Issue 1.
Routledge.

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— Book Chapter (free PDF):
Instance: The Fragmented Stage of Virtuoso (working title)

By: Peter S. Petralia
In: Mapping Intermediality in Performance
Amsterdam University Press.

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WHISPER
(2007-8)

— Journal Article (free PDF):
Diegetic Theatre as a ‘Place’ for the Theatricalised Spectator

By: Jane Turner
In Platform: Journal of Theatre and Performing Arts – Spectatorship and Participation, Vol. 6, No. 1.
Royal Holloway.

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— Journal Article (paywall):
Headspace: Architectural space in the brain

By: Peter S. Petralia
In: Contemporary Theatre Review, Vol. 20, Issue 1.
Routledge.

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— Book Chapters:
Liveness on Stage: Intermedial Challenges in Contemporary British Theatre

By: Claudia Georgi
In: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
Walter De Gruyter Incorporated.

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ABOUT SILENCE
(2003-12)

— Journal Article (paywall):
Text Exposed: Displayed texts as players onstage in contemporary theatre

By: Karen Jurs-Mumby
In: Studies in Theatre and Performance, Vol.30, Issue 1.
Routledge.