Writing about Proto-type

 
THE GOOD, THE GOD AND THE GUILLOTINE (2013)
— Journal Article (paywall): Through collaboration to sharawadji: immediacy, mediation and the voice
By Martin Blain, Jane Turner and Andrew Westerside | In Theatre & Performance Design, Volume 2, Issue 3-
— Journal Article (paywall): The Art of the Loop: Analogy, Aurality, History, Performance
By Kathleen M. Gough | In TDR/The Drama Review, Spring 2016, Vol. 60, No. 1
 
FORTNIGHT (2011-15)
— Article (free PDF): Immerse Yourself
By Hannah Sullivan| In Total Theatre Magazine,  Autumn 2011, Volume 23, Issue 03
— Book Chapter (free PDF): The Pervasive Media Cookbook
By Jon Dovey and Constance Fleuriot
— Book Chapter: Handbook of Intermediality: Literature – Image – Sound – Music
Ed. Gabriele Rippl
— Book Chapter: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
By Claudia Georgi
 
VIRTUOSO (2009-10)
— Book Chapter: Liveness on Stage: Intermedial Challenges in Contemporary British Theatre
By Claudia Georgi
— Book Chapter (free PDF): Mapping Intermediality in Performance
Ed. Sarah Bay-Cheng
— Journal Article (paywall): Headspace: Architectural space in the brain
By P.S. Petralia | In Contemporary Theatre Review, Volume 20, Issue 1
 
WHISPER (2007-8)
— Journal Article (free PDF): Diegetic Theatre as a ‘Place’ for the Theatricalised Spectator
By Jane Turner | In Platform, Vol. 6, No. 1, Spectatorship and Participation, Winter 2011
— Journal Article (paywall): Headspace: Architectural space in the brain
By P.S. Petralia | In Contemporary Theatre Review, Volume 20, Issue 1
 
ABOUT SILENCE (2003- )
— Journal Article (paywall): Text Exposed: Displayed texts as players onstage in contemporary theatre
By Karen Jurs-Mumby | In Studies in Theatre and Performance, Volume 30, 2010 – Issue 1